Jori Finkel

Survey of Camille Claudel explores the visionary French sculptor’s work on her own terms

The exhibition at the Art Institute of Chicago will acknowledge—but not be beholden to—the shadow cast by her teacher, collaborator and lover Auguste Rodin

Elvis returns to Las Vegas in Marco Brambilla’s new video for the Sphere, created with AI

The King reclaims his throne in an immersive video that will play during U2’s concerts at the city’s new $2.3bn entertainment complex

How a man from Ohio became one of Argentina’s greatest 20th-century photographers

The unlikely story of H.G. Olds and the photographer championing him

Gagosian to represent the photographer Francesca Woodman

Previously unseen photographs will be on show at Art Basel, while a new book will be published by her foundation in June

Artist Nancy Baker Cahill projects exploding uterus atop the US Supreme Court

The artist’s augmented-reality artwork addresses the evisceration of abortion rights in the US

The late conceptual artist Stanley Brouwn would not want you to read this article

The curators of his first US museum survey will not talk about the show, honouring his wishes not to interpret his artwork

Los Angeles museums are conducting the US’s biggest free admission experiment

Multiple free-admission policies have been introduced in the Los Angeles area—and early results are looking promising

Museumsfeature

Goodbye pink marble, farewell 1980s office vibe: inside the Hammer Museum’s 24-year transformation

A radical renovation and expansion overseen by director Ann Philbin and architect Michael Maltzan is just weeks from completion

Wheeling and dealing: Los Angeles galleries move into old car showrooms

Roberts Projects and Hauser & Wirth take over two of the city’s historic car showrooms, while Lisson slides into a former sex club

Clear the runway! Chris Burden Skyscraper lands at Frieze Los Angeles

The late artist's monumental metal sculpture, only exhibited once before, is a beacon at the fair's new Santa Monica Airport location

David Hockney’s latest floral iPad works to blossom at five different galleries, from Los Angeles to Paris

LA Louver, Gray, Pace, Annely Juda and Galerie Lelong team up to show the same works at more or less the same time in five different cities

With new $94m building, the Orange County Museum of Art gets its own version of the Met museum steps

Fourteen years in the making, the new 53,000 sq. ft building designed by Thom Mayne of architecture firm Morphosis features a wide outdoor staircase intended to serve as a gathering place

Ana Mendietainterview

‘Are you going to be a witness or are you going to be a bystander?’ A new true-crime podcast examines Ana Mendieta’s shocking death

The podcast’s host, curator Helen Molesworth, discusses Mendieta’s work, life and death—and what at times resembles an art-world cover-up

Is Alice Rahon the next Surrealist rediscovery?

San Francisco dealer Wendi Norris is giving Rahon the royal treatment, with a new exhibition and online archive

Ruth Asawa made hundreds of masks of her San Francisco community—now a local museum is putting them on permanent display

Representing one of the artist’s least known but most ambitious works, "The Faces of Ruth Asawa" is going on show at Stanford University's Cantor Arts Center

Amid overwhelming silence from US museums on Roe v. Wade news, ICA San Francisco offers its space to abortion rights activists

Few museums have spoken out since a leaked draft of a US Supreme Court decision indicated that the country's highest court will overturn the landmark abortion rights case

Los Angeles alternative space LAXART lays down roots with $5m new building

After moving into its first permanent home later this year, nonprofit is prepping an ambitious show of decommissioned Confederate monuments

Light and much more Space: first look at the expanded Museum of Contemporary Art San Diego

La Jolla museum is set to reopen after a $105m renovation and collection revamp, telling the story of contemporary art from a distinctively West Coast perspective

Trains, planes and a sea-faring hamster: Chris Burden’s unrealised projects come to light

A new book published by Gagosian chronicles 67 projects conceived by the late artist, which for reasons such as funding and technology were never executed

Womanhouse—the original matrix for feminist art—turns 50

Anat Ebgi gallery and Judy Chicago’s Through the Flower exhibition space are marking the occasion

Pace and David Zwirner’s new Los Angeles branches expected to test local loyalties

The mega-galleries are planning local outposts, posing challenges for the homegrown Los Angeles galleries who share their artists

The women artists altering our perception of the Light and Space movement

The history of a movement long-centred on Robert Irwin and James Turrell is being radically expanded

Liz Larner’s Corner Basher channels the helpless and hopeful rage of our day

The artist’s 1988 kinetic, participatory sculpture—which is included in a new survey show at SculptureCenter in New York—is temperamentally attuned to the prevailing moods of 2022

The Big Review: Judy Chicago at De Young Museum

The retrospective of the legendary feminist offers some familiar pleasures and a chance to re-evaluate her recent work

Berkeley Art Museum and Pacific Film Archive staff grows with Christina Yang as new chief curator

The museum’s director Julie Rodrigues Widholm has made several senior-level hires in her first year

Museum of Star Wars creator George Lucas goes on buying spree with international, if not intergalactic, focus

Gearing up for 2023 opening, Lucas Museum adds works by Frida Kahlo, Robert Colescott and Artemisia Gentileschi to filmmaker's Norman Rockwell trove

Museum of Contemporary Art in Los Angeles names Johanna Burton of the Wexner as its first executive director

Burton will run the museum with Klaus Biesenbach, who has been reassigned as artistic director in a restructuring

Barbara Kruger: ‘Thank God I’m an artist and not a movie or Tiktok star’

As a survey show opens in Chicago, the US artist discusses the political urgency of her work, her response to rip-offs, and her desire to let the work speak for her